Although one may imagine that the Laguna Art Museum collection began with the development of the Laguna Beach Art Association in 1918, the story is much more complex than that.

The collection officially began in 1940, fueled in part by the recognition that many of the artists that came to Laguna Beach at the turn of the twentieth century had passed away. One by one many wonderful works of art were donated either by these artists or their widows and heirs. By the 1970s, the Laguna Beach Art Association had become the Laguna Beach Museum of Art and started to generate significant one person and thematic exhibitions on important California artists and movements. As a result, collectors began to donate major pieces of their collections to the Museum.

A 1977 exhibition with a publication on William Wendt provided one of the first in-depth looks at a significant West Coast impressionist painter. This exhibition helped to validate the importance of the work to many local dealers and area collectors. Subsequently, local dealers and collectors began to explore the work of prominent twentieth century impressionist painters in Southern California, which led to the establishment of significant collections. In the 1980s and 90s, exhibitions and scholarship on California art at the Museum became more sophisticated and began to generate interest from collectors and dealers in the area.

That kernel of interest resulted in the development of some magnificent collections, and some of them have formed the most significant parts of Laguna Art Museum's Collection. As the Museum's mission became more focused on California art, collectors with a similar scope began to take interest.

The Collection will focus on individual collectors and some of the important gifts they have made. Works of art given by Nancy Dustin Wall Moure (the art historian who has pioneered the history of California art and wrote the book California Art: 450 Years of Painting and Other Media), Carl S. Dentzel (founder of the Southwest Museum), Mickey and Ruth Gribin (collectors, trustees, and patrons of contemporary Southern California art since the 1960s), Stuart and Judy Spence (trustees, theorists, benefactors of cutting edge Los Angeles art), are among some of the collectors on which The Collection will focus.

In his first museum exhibition, Jeremy Fish will use the upstairs galleries to do an installation with symbols and characters that he has been developing over the last ten years. Fish's iconography generally consists of a fairy tale world inhabited by beavers, skull, and birds which he has developed in part as a response to the influence that popular culture, cartooning, and literature-like the Brothers Grimm-has had on him.

Fish, who lives in San Francisco, was born in 1974 in Albany, New York, and has lived and worked in San Francisco for the last 15 years. In 2006, Fish worked with Nike Skateboarding, designed the Air Classic Shoe. Fish has also collaborated with hip-hop artist Aesop Rock for the album The Next Best Thing.

He has had exhibitions at Fifty24 SF, San Francisco (2008, 2006); Joshua Liner Gallery, New York (2008); and The Don Milan (2008). His publications include Once Upon a Time, published by Fifty24SF Books (2008); Romantic Delusions, published by Drago Books (2008); and the cover of Juxtapoz magazine (December, 2006).

Jeremy Fish is curated by Grace Kook-Anderson.